This publication in English provides an insight into the English song of the 16th to 18th centuries and its performance practice. Language as medium and content as well as pictorial representations as a further non-verbal level are the intellectual background against which the eminent connoisseur of this repertoire, Anthony Rooley, develops his musical ideas.
The design picks up on the power of language in the form of large word pictures.

218 Pages, english

Editorial Design